Witches

For this week I read up to issue 12 of Redlands. I've been meaning to read it for a while now, and I'm glad I finally did. I like the characters in this story, because they don't fall into the typical witch archetypes, or at least not from what I can tell. It's possible that it may be in part due to how the trio of witches is split up for the bulk of the story, or that one of them is controlled by another character altogether. It's hard to tell in the amount of content released so far.

Redlands really gives all of the supernatural characters an element of realism, or maybe humanity. They're not flashy, and they're calculated. Even before they begin to delve into their backstories, they feel their age. These are characters that have a history that has molded them. From other works that I know of, writers seem to rely on the stereotype of the witch, for one output or another. They're creepy, and dark, and use magic- is there usually much more to them? I can't recall any instances where I've read or seen a witch's backstory explained. This depth of the witch characters works perfectly with the current cultural climate of women with power, which is even the driving force of the story. The witch is a product of her era, and the modern witches of Redlands really show this.

The New Weird

I read Borne for this week's assignment, and while I was apprehensive at first, I ended up really enjoying it.  There was an extra level of creativity brought in when it came to the resources that these survivors had with the biotech, in ways I don't think I've seen before, though it did feel reminiscent of I Have No Mouth And I Must Scream.  When technology comes in as a key element of the world, the possibilities are only as endless as the writer's imagination. There's been more tech used in horror as we become more reliant on it, and as it becomes more accessible and more advanced, but it's being used differently than it was thirty or forty years ago.  We're not as afraid of technology because it's so ingrained in our daily lives. Rogue killer robots aren't scary anymore.

I think monsters that are organic, human, or supernatural is the direction we're going for right now in the horror genre, which makes way for technology to be used to assist the protagonists now.  A Quiet Place used a hearing aid as the last minute savior. The Good Neighbor, while more thriller than horror, followed a two teens who set up secret cameras to spy on their neighbor in an experiment gone wrong.  Technology might not be essential to every movie, it's definitely not going anywhere and will continue to present new and, hopefully, creative uses in this genre.

Asian Horror

A Wild Sheep Chase by Haruki Murakami

It's both difficult and not to pinpoint the differences in the horror genre from different cultures. Western and eastern horror is different, they feel different. Most, if not all Asian horror stories I've seen have been based in mythology and history, with a lot of vengeful spirits. Ones I can think of from my own experience are the anime Another and video game series Fatal Frame. They come with a gritty, sepia feel to them, like climbing up to your grandparent's attic to look at the dusty old things in there. It's uneasy all the way to the conclusion, which is often uneasy in itself.
I think I'd describe western horror in contrast as clearer. Psychological antagonists and horrific monsters, anything to get a reaction from the audience. Western horror either has an explanation, or is completely void of one. Western horror seems to have more physical malicious contact between protagonists and antagonists, even western stories about western spirits have a certain level of contact, as in The Exorcist and American Horror Story: Murder House.

Vampires

I feel like one of the most popular vampire narrative includes vampires struggling against themselves and their urges, whether they were born into their vampirism or newly acquired it. The inspiration of Anne Rice's Interview with a Vampire is clear within these stories. Lost Boys is a perfect example, and it can also be found in Twilight for sure. There's something intimate about watching Louis fight against his vampire self, at times very emotionally charged with the influence of Lestat. Their dynamic is interesting, with very homosexual undertones, where Lestat feels no remorse or empathy for the humans he consumes. Despite is desire for companionship in Louis, Lestat makes no moves to appease Louis' discomfort at feeding off of humans, and even manipulates him into staying by creating a daughter figure for the two to father together. Not a healthy relationship, but we get very few of those in vampire stories anyway.

Frankenstein

I don't have much experience with gothic literature in the slightest, and prior to class I didn't have a solid understanding of the genre as a whole, either. Having now read Frankenstein, I feel like my definition of gothic is entirely Frankenstein, with a little bit of Scooby-Doo in the mix for the tropes. The entire mood of the novel felt somber and mysterious to me, like it was raining throughout the story, and despite knowing the basic plot before hand, I never knew what was going to happen next or what would happen when. As soon as I caught on that Victor Frankenstein was beginning his experiment, unease crept in, and worsened tenfold when the monster seemingly disappeared.

Classic Horror Tropes

Dramatic score
Night setting
Monsters
Mirrors
Creepy, abandoned houses, placed on a hill, mansions
Secret bookcases
Cobwebs
Science gone wrong
Thunder storms
Howling in the distance
Romance
Traveling to a destination
Trains, wagons
Typical spooky lab equipment- coils, sparks, "primitive" electricity
Creepy portrait paintings
Quiet, empty town
Detached music being played in another room
Candles despite electricity
Mysterious shadows